What builds up, and why it matters
On this kind of work the problem is dried ink, adhesive, paper dust and coating build-up. Anilox and press rollers are precision surfaces. Anything abrasive changes the cell structure and changes the print, which is why solvent soaking and manual scrubbing are the usual compromise.
Presses are cleaned in place between runs or during planned maintenance. The people who call us about printing press are usually press operators and production managers, and the thing they are actually worried about is altering a roller surface and with it the print result.

The method
Why dry ice and not the alternatives
- Non-abrasive
The pellet is soft and sublimates on impact, so the work is thermal rather than mechanical. Machined faces, plating, paint and gaskets survive it.
- Low moisture
No standing water in a harness, a bearing or a cabinet, and no dry time before the equipment goes back into service.
- No secondary waste
Sand, soda and walnut shell all have to be swept and hauled. Dry ice leaves only the contaminant it removed.
- Often no teardown
Much of this work is done in place, which is usually where the real saving is. The labor is in the disassembly, not the cleaning.
More printing work
Related jobs we get called for
Questions we get asked first
Will it damage the surface underneath?
On most substrates, no. The pellet is soft and sublimates on impact, so it does thermal work rather than mechanical work. We still test an inconspicuous spot first on anything unusual.
Do you have to take the equipment apart for printing press?
Usually far less than you would expect, and often not at all. Cleaning in place is where most of the saving comes from, because the labor is normally in the teardown and reassembly.
How much mess does it make?
Far less than the alternatives, because the blasting media disappears. What is left is the contaminant itself, which we contain and clean up.
Do you come to us?
Yes. The whole rig is mobile. Compressor, hose and operator arrive at your shop, plant, driveway or dock, anywhere across South Florida from Miami out to roughly a hundred miles.
What does a job cost?
It depends on the equipment, the contaminant and the access, so we will not throw a number at you over the phone without understanding the work. Describe the job and we will give you a real figure.
How soon can you look at it?
Send photos and a short description and one of the owners gets back to you. If you have a shutdown or a deadline, say so up front and we will tell you honestly whether we can hit it.
The comparison
The other ways to do this
- Media blasting
Grit removes material to do its job, so a machined face or a plated part pays for the cleaning.
- Pressure washing
It is fast and it is wet, which is fine outdoors and unusable on anything with a winding in it.
- Solvent and degreaser
Good at softening, bad at leaving. There is always a residue and always a drum to get rid of.
- Hand scraping
Labor-intensive and uneven, and whatever you scrape with eventually marks what you are scraping.
- Dry ice
It is the only one on this list where the media stops existing the moment it has worked.
What comes off
The deposits we see most
Most calls involve one of the following. The common factor is a bond between two things that should not be bonded.
- Grease and oil
The soft film that holds dust and swarf against metal. It is what makes a part feel dirty long after it looks clean, and it comes off first.
- Carbon and soot
The hard black crust on a housing, an oven or a weld cell. Bonded by heat, and the first thing to release under thermal shock.
- Adhesive and sealant
The stubborn film under old tape, or the gasket that tore and left half of itself behind.
- Resin and mold release
Release agent and resin build-up on tooling, where a solvent fix trades one residue for another.
- Paint and coatings
Selective removal, layer by layer, on parts where media blasting would cut into the substrate.
- Salt and corrosion product
The year-round problem on the coast. The finish holding corrosion back has to survive the cleaning.
- Ink and printing residue
Ink and coating on anilox and press rollers, surfaces where changing the texture changes the print.
How a job runs
What happens once you call
If you have not seen this done before, the process is worth reading once. Nothing below is hidden in a footnote.
- You describe the job
The machine, the deposit and the downtime you can afford. Those three things decide the whole job, and we would rather know all of them before quoting.
- We look at access and containment
Hose run, compressor position, what needs masking, and where the contaminant is collected. For food and electrical jobs the containment plan takes longer to settle than the blasting does.
- We test a small area
An out-of-sight patch comes first so pressure and pellet size are proven before anything that shows. Soft alloys, older paint and bare metal each want different numbers.
- We blast, then clean up
There is no spent media to recover, only the deposit, which we collect before packing up.
- You look before we pack up
We would rather you find the missed spot while we are standing there than a week later. Another pass on the day is the cheapest fix available.
What happens in your space
The media is solid CO2, nothing toxic and nothing left behind, but it pushes oxygen out of a closed room. Ventilation gets planned before the hose is connected.
Expect noise. Everybody inside the working area wears hearing protection, us included.
The part will be cold when we finish. Sometimes that means a short wait before handling; sometimes it means a film of condensation as it warms back up.
Everything the rig needs arrives with it. No tap, no drain, no outlet.

Describe what you are dealing with.
Send the equipment, the location and a short description. Photos help. You will hear back from Giancarlo or Kenny, not a call center.